The Most Influential People in the Media

New York

Copyright New York
Richard Parsons
Chairman and CEO, Time Warner
Parsonsís purview is mind-boggling: HBO, CNN, TBS, Cartoon Network; Time Warner Cable; Time Inc., with more than 150 titles; AOL, still generating $8 billion in annual revenue; and Warner Bros. (No. 1 in film grosses, television production, and DVD sales). Cleanup man for historyís most disastrous merger, heís succeeded in creating internal stability and installing well-regarded former HBO head Jeff Bewkes as his heir apparent. As corporate managers find themselves attacked by hedge funds and self-styled ìshareholder activists,î Parsonsís handling of Carl Icahnís attempt to push him off the board and split up the company was picture-perfect, a B-school case study. But that pesky stock price still isnít moving . . .
Roger Ailes
Chairman and CEO, Fox News Channel; chairman, Fox Television Stations
Ailesís Fox News Channel is the preeminent news organization of George W. Bushís America. He brought the brash, outspoken, unabashedly right-wing sensibility of talk radio (and of Ailes himself) to TV, with vast and continuing commercial success. So dominant is FNC that nine of the ten most-watched cable-news shows air on Fox. Its ties to the Bush White House (remember that Fox was the first to declare Bush the victor in 2000) are strong enough that commentator Tony Snow was named press secretary, and a journalist complained that the TVs on Air Force One are tuned only to FNC. Ailesís dominion keeps expanding: Last year, he wrested control of Foxís television stationsóNews Corp.ís biggest cash-flow generatorófrom wayward heir Lachlan Murdoch. Also, inadvertently created Stephen Colbert.
Bill Keller, Arthur Sulzberger, Jr., and Jonathan Landman
Executive editor, publisher, and deputy managing editor of the New York Times
A stock thatís lost more than half its value over the past four years, a newsroom buffeted by scandal, bellwether of an industry with its best days behind itóand yet the New York Times remains Americaís most vital news outlet, the chief codebook with which New Yorkers (and the world) decipher the interesting times weíve been cursed to live in. Every day, it also changes that worldóthink, especially, of Nick Kristof, who single-handedly forced the worldís attention on Darfur. Keller steers the paper, in turn setting the dayís news agenda around the country, and the bedraggled Sulzberger attends to larger issues, like new e-newspaper software developed with Microsoft. For different reasons, Keller and Sulzberger are both unfireable, and theyíll be around for years. But the future of the paper rests at the moment with Landman, who is director of the paperís online strategy. The redesign, DealBook, and even the amateur-hour video blogs are a good start: Will the paperís long-overdue lavishment of attention on the Web protect the Timesí future, or will 155 years of history not matter in a realm of limitless alternatives?
Jon Stewart, Ben Karlin, and Stephen Colbert
Host and executive producer, The Daily Show With Jon Stewart, and executive producer, The Colbert Report; executive producer, The Daily Show and The Colbert Report; host and executive producer, The Colbert Report
The Pew survey said it all: Twenty-one percent of Americans between the ages of 18 and 29 turn to The Daily Show as their only source of news (the networks got 23 percent)óand that was before Stewartís Oscar-hosting gig, The Colbert Report, and Colbertís own ultra-Establishment gig emceeing the White House Correspondentsí Dinner. The Daily Showís political sensibilityósmart, pragmatic, fed up with the Dems but horrified by the GOPóis extremely appealing to New Yorkers (we flatter ourselves by seeing it as our own). Stewart has become the comedian-as-Cronkite; to some, his team are the only people on TV worthy of trust.
Si Newhouse
Chairman, CondÈ Nast
Newhouseís CondÈ Nast demonstrates that expensive, upmarket, lavishly produced magazines still have a place in the national conversation (witness Sy Hershís Washington-rattling New Yorker scoops and Vanity Fairís latest tabloid-of-record tearful-celebrity confession), in dictating stylishness, and on ad buyersí budgets (Vogue had 2,959.33 ad pages in 2005). Unlike the more penny-conscious Hearst or the layoff-prone Time Inc., Newhouseís company spends money freely, offering favored talent outsize salaries and perks. Heís a living economic inefficiency in an industry increasingly attuned to profit over prestige. Si just has to please Si.
Nick Denton
Publisher, Gawker Media
Made blogs a popularóand profitableóart form, partly by paying his bloggers intern-level wages. Denton and Gawker.comís original editor, Elizabeth Spiers, both jockey for credit for pioneering the now-ubiquitous form: jokey headline; snide, quippy post; links; and a willingness to run suspect info (hey, the Internet hive mind auto-corrects!). New Yorkís other blog baron, Weblogs, Inc., founder Jason McCabe Calacanis, has already cashed out by selling to AOL, but Denton remains on his own, bringing the Gawker formula to, among others, sports nuts (Deadspin), shoppers (The Consumerist), and Silicon Valley (Valleywag).
Media: Katie Couric, El Diario’s Publisher, Sean Cassidy, . . .
Rossana Rosado
CEO and publisher, El Diario/La Prensa
The queen of local Hispanic media. Rosado runs El Diario, the ink-and-newsprint lifeblood of New Yorkís Hispanic population (28 percent of the city; itís 12.5 percent nationally), which has a notably activist tenor: El Diarioís motto translates to ìChampion of the Hispanics.î The El Diario empire has recently increased its reach and visibility, linking with a series of Spanish-language papers across the country to form impreMedia, Americaís largest publisher of Spanish-language papers. And the papers have amped up their reporting, publishing an award-winning series on New Jersey prisons illegally using dogs to handle immigrant inmates. As Rosado, a former street reporter who segued to publisher after serving as editor-in-chief, has said, ìWeíre a small paper in a big newspaper town. But weíre a huge paper within the small town that is the Hispanic community.î
Katie Couric
Co-anchor, the Today show; anchor-to-be, CBS Evening News
Just look at all the fuss. Couricís move seismically altered the landscape of nightly news, as well as the profit-drenched morning shows. Her sway over her audience is undeniable: After her on-air colonoscopy led to a whopping 20 percent increase in test rates, the phenomenon of celebritiesí having an impact on health issues has been dubbed the ìKatie Couric Effect.î
William Bastone
Editor and co-founder, the Smoking Gun The Smoking Gun Website has brought ìgotchaî journalism into the digital ageóand now no celebrityís divorce filing, concert rider, or mug shot is safe. Bastone, a former Village Voice reporter, scored a mind-blowing 75 million page views by exposing James Freyís Million Little fabrications in January, but that was just one in a series of scoops that include posting Arnold Schwarzeneggerís 1977 Oui interview, the Bill OíReilly sexual-harassment complaint, and the Duke rape indictment. Court TV (which bought TSG in 2000) brought cameras into the courtroom; the Smoking Gun puts the evidence on your desk.
Richard Johnson
Editor, ìPage Sixî
Orchestrator of the most closely read gossip page in America. ìLike the Mafia,î as Jared Paul Stern so inelegantly put it, ìPage Sixî doles out favors to its friends and wreaks havoc on those who donít cooperate, making stars and enemies alike. Itís turned the foibles of the famous into a highly entertaining spectator sport. Column mentions help keep Johnsonís favored restaurants and nightclubs full. Has popularized memorable nicknames (ìthe portly pepperpotî) and euphemisms (ìcanoodlingî). The column was such an irritant to a press-shy California billionaire that he came out of hiding in an attempt to swat ìPage Sixî downóand its Teflon editor continues to ride the whole thing out.
Dan Klores and Sean Cassidy, Howard and Steven Rubenstein, and Ken Sunshine
Chairman and CEO, Dan Klores Communications; managing director and president, Dan Klores; president, Rubenstein Associates, Inc.; senior executive vice-president, Rubenstein; president, Ken Sunshine Consultants
The men on top of New Yorkís prime public-relations firms play crucial, largely offstage roles in practically every public skirmish in this town, deciding vicious municipal battles (what was the stadium face-off but a PR fight?) and celebrity duels (Nick vs. Jessica! Howard vs. CBS!). Both the Rubensteins and Kloresís shop are caught between generations: Howard Rubenstein, 74, is handing the firm to his son Steven, 36; Klores has left the day-to-day running of his eponymous agency to make films, and Cassidy has not so quietly expanded Kloresís roster by 25 percent. Sunshine, the Hollywood man in the city, has been called ìthe Madonna of PR,î that is, the king of reinvention. Respected for keeping huge clientsóLeo DiCaprio, Justin Timberlakeóout of trashy media, Sunshineís credited with making stars change their behavior so the tabs wonít find them.
Media: Rupert’s World and the Bonnie Fuller Effect
Itís Rupertís World
Youíre just watching, reading, listening, surfing, and singing karaoke in it.
You get up early and switch on Fox News for Your World With Neil Cavuto and catch the end of an OíReilly Factor repeat; heís hawking ìThe Spin Stops Hereî golf balls. Flip to Good Day New York, then grab the Post for the subwayócheck out that ìPage Sixî item on The Simple Life. At work, update your MySpace page, search for a better job at, then pop to the newsstand for the Times of London, the Sun (National Rugby League scoresósweet!), and the Weekly Standard (to see what Tony Snowís White House pals are thinking). Your Fantasy Football draft is coming upóstudy the prospects at Then chat with the cute sales rep from HarperCollins about How I Met Your Mother (using flirting tips from; so much better than The Game). Say, maybe she wants to catch a film: How about The Sentinel? Mehó says itís a poor manís 24. So you head home aloneóyou need to catch up on The Shield anyway. Too bad your DirectTVís been acting upóit didnít record M*A*S*H or Boston Legal. Your buddies in England and India never have problems with BSkyB Or Star. You could always rent a flick: Napoleon Dynamite or Alien? Though you should finish Freakonomics, and Momís been pushing The Purpose-Driven Life. But you canít put down Nicole Richieís The Truth About Diamonds! Finish it, then surf for dirt on next summerís Halo movie. Whoa, thereís a Website that lets you do karaoke online! Then check the TV Guide Channel: Hey, a Buffy rerun on Channel 9! Wait: Isnít tonight a new episode of American Idol? Díoh!
The Fuller Effect
Bonnie and her children.
(1.) February 2002: Bonnie Fuller hired as Us Weekly editor. She brings a tabloidñmeetsñTiger Beat aesthetic and the epochal ìStarsóTheyíre Just Like Us!î Sales rise 55.2 percent.
(2.) November 2002: Euro mag giant Bauer launches Usís first imitator, In Touch, featuring ìIn touch with their real sides!î celeb pics.
(3.) June 2003: Us loses Fuller to American Media, Inc. She remakes the National Enquirer and Star, which now asks, ìStars: Are They Normal or Not?î Circulation at Star jumps over 10 percent.
(4.) The Fuller frenzy:People, still the category leader, unveils a new cover treatment in September 2003 that closely apes Usís Fullerized design. Life&Style, Celebrity Living, Inside TV, and OK! debut.
(5.) August 2005: Celebs get tab-savvy. Vanity Fair is used to shape tabloid coverage; Jennifer Anistonís cover interview is virtually reprinted in Us, which blares, JEN TELLS ALL.
(6.) Bonnieís bubble bursts? Inside TV folds last November, Celebrity Living in April. Newsstand sales at Fullerís Star slide 8 percent in the most recent quarter. Still, Usís hot streak continues, with a 12.7 percent circulation jump in 2005.

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